Tuesday, 18 November 2014

Contra-versial 17th Century DJ

Sometimes it's just plain hard to smash through the wall.
I heard sir Bob Geldof on the radio pushing Band Aid #4
It seemed like nothing changed since Band Aid #1  thirty years ago.

Yesterday I made calls...
Edinburgh Dance Base - hopefully to host my w/s - Answerphone
Time Out - to get department to invite journalist - Reception then email
Bashed off a couple of press releases to magazines.

In short nothing to show .... except maybe few cracks in that wall!

This morning I had a mad idea! (another)
What happens if you Mambalsa a 17th Century Contra Dance to urban R'n'B????

OOOOOh
1) choose your Contra Dance style.
First there's lot and lots of Contra Dances, from English folk to Peruvian. Then there's the ones with road cones or is that contra flow? Nothing contra-versial in that joke!
I went for a 17th Century French form "I say, is that Mr Darcy?" .
2) rip out that footwork and replace with Mambalsa FWS
3) Choose awesome track (tba)

Why Contra Dance?
There's a direct link from English Country Dancing to French Contra Dance to Cuban Contradanza to Danzon to Son to Salsa to Mambalsa.

There's a second reason. Group dances including country dances are a successful and enduring form of entertainment. They have always reflected the style and music of their time and place, so taking the music of today and making them fresh again is a valid idea.
The beauty of Mambalsa is that the FWS (foot work sequence) is fixed. Once got the group dance becomes a matter of remembering the shape. Maybe not easy but easier than learning different footwork for each dance.
I recently went to a Ceilidh (barn dance) The dances were simple enough with no real footwork. The crowd was assisted by a cheep bar and live band and we did our very best not to fall over.
It was fun and social and mixed everyone up, but I wouldn't sign up for a course.
If we (the crowd) already had the Mambalsa FWS we would have been far more advanced from the outset with a corresponding sense of achievement. If we could dance those old social dances to modern music, they would take on a new life and connect with a new generation. Another niche for Mambalsa!

Back to hitting that wall :-)

Wednesday, 5 November 2014

November nerves


It's November 5th Firework night and I'm sitting in a cafe after a filling at the dentist.
This week the nerves have set in re Mambalsa project. It doesn't take much to knock my fragile ego and to be honest I've been waiting for this low bumpy mood to come along for a while now. A cyclical depression or just the onset of winter?
Nothing went wrong, it just feels like I'm wading through mud, towards more mud.

The two words that sum up my progress are avoidance and frustration.
Avoidance is where I find other stuff to do to avoid doing what I need to do.
I can't tell you how much I'm looking forward to getting stuck into my accounts. Nothing like a pile of receipts to bury all progress under. And his gravestone read "At least he got his tax return in on time"
Frustration at the moments when I tackle the next item on the to do list and time seems to stretch so it takes forever. Yesterday two facebook events listed and a draft email. WOW.
Not an amazing output by any means but significant in that it showed I  avoided avoidance and went on to be frustrated by frustration.
Avoiding Avoidance is easiest as it's basically using avoidance  to avoid avoidance. I could argue that avoiding avoidance is hard to avoid.
So how do I frustrate frustration?
What seems to work is to stick to the actual. Real things that are real and present in the world, rather than planning and preparation to do real things. 'Today I did' rather than 'Today I prepared to do'.
Things did happen yesterday. Two events got listed. An email was drafted that I had been avoiding since September. A significant Not Nothing.
To day I will do more.
A friend of mine who had spent some time with mental health problems said the best 'to do' list uses half the page to write what you've achieved.

Conclusion- Everything that makes it hard or difficult is part of the reason why no one else has done it!